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Diary
By blixco (Wed Apr 30, 2008 at 11:09:45 AM EST) (all tags)
for a fictional day.


If there isn't a 9000rpm urgency to that moment, then there should be.  There should be an "I just fell off the roof" urgency to that moment, a movement without thinking and time without meaning beat half a heartbeat from chaos thing that shatters open like a cheap storefront plate glass window.

There should be that, some un-thinking sanity, clarity of vision and purity of movement-as-emotion moment. But there isn't.  Falling is like that. You see everything in intimates, every moment flashbulb absurd and goofy. That rock, hey, it's not supposed to be there and you have plenty of time to think about how much it will hurt when you hit. Plenty of time.

There must be some sort of chemical flood to the brain during those moments, some endorphin-triggered chemical stopwatch that kills off the perception of time, makes the eyes capable of picking out tiny detail, the tiniest of scratches on the surface. Significance in every femtosecond, a way for the brain to deal with panic in fight-or-flee times, giving clarity to the exit strategies or defensive capability.  The brain is a tactical mess, too much information and not any analysis in panic; we see all these things but cannot muster the eight or ten steps to accomplish them.

Falling is like this, exiting the third floor window of a bombed out office building, pushed by the invisible hand of heat and high explosive, shoved hard in the chest, deaf now, ground coming soon, too soon, certainly, to have any time to consider.

The weight of a thousand years of evolution on his back, guns, ammunition, maps, electronics that all add nothing to his descent except a sense of impending expense.

A hell of an insurance bill.

When the ground does smack into his back and dig his backpack belongings into his lungs, he does the only thing he can think of.

He wakes up.

Screaming, again.

The ward cool and dark, the other beds writhing in their own free-fall nightmares, the world outside German, foreign in a different way.

The world unchanged.

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I always wanted by blixco (4.00 / 1) #1 Wed Apr 30, 2008 at 12:03:16 PM EST
to write a James Bond story.  Literally write James Bond, and have it be either an over-the-top (ie the early movies) version or a tacticool version, or some bizarre bland midwest industrial espionage homosexual dressed in a tux version.  Out of the options, that last one appeals to the absurdist in me, but there's no market for National Lampoon anymore.

Had this friend back when I was, oh, twelve?  His name was Matt.  I have heard recently some very, very disturbing things about Matt, but at the time he was a James Bond freak, as was I.  I think we both had all the books; my dad had given them to me for my birthday, every book written to that point.  I immersed myself in that universe, to the point of picking up a James Bond RPG and getting together with Matt to spy on random neighborhood whackos.  Now, looking back?  That neighborhood he lived in, this sort of ideal of suburban living, turned out to be the worst sort of dark underbelly of the world.  Some seriously bad shit going on there.

But we were thankfully unaware.  Had I known then what I know now.

Anyhow, there was this one kid...Jeff something.  Jeff G.  He was a tall, lanky blond kid, a couple of years older than Matt and I.  I think we'd just started 7th grade.  Matt had found Jeff playing in a Nazi uniform.  Like, home-made swastikas on the jacket and etc.  So we started to keep a close eye on him.  I mean, nazis were like, the ultimate target.  Goddamn, even Indiana Jones was after the Nazis.  Fuck the Red Chinese and those Soviet bastards, fuck that 14 minute-to-nuclear-fire nonsense, this kid was a goddamn Nazi!

Jeff was in chorus.  Of course he was.  I was in Orchestra, and we rehearsed in the same space: chorus was directly before orchestra class.  So one day I find a notebook.  This notebook is filled with sketches of neo-modern Nazi weapons, of capabilities and plans for the takeover of the school, and a whole list of people. Oh, and a whole lot of RPG-related stuff, and some encrypted text.  All the sketches of people were these bizarre big-eyed elfin things, impossibly thin and tall, with long faces and high cheekbones. The notebook was like a lure, a treasure-trove of suspiciously perfect stuff that Jeff had left behind for Matt and I to decipher.

And boy did we.  We followed up on every clue in the notebook, followed Jeff around, even went so far as to plant a listening device (made from a walkie talkie) on his bedroom window.  We had some damn fine intel.

Matt had outfitted his bicycle with smoke bombs.  One day, Jeff came out of his house while we had it under surveillance.  We tore out of there, Matt igniting the smoke bomb to obscure the way.  Nice way to draw suspicion directly to our presence.  It was the funniest thing I'd ever seen.

Eventually Jeff confronted me about the notebook, wanted it back.  He and his friend cornered me in a hall.  I wasn't at all threatened; I outweighed both of them.  I started to walk away when Jeff hit me in the back of the neck with a blowdart.  No shit, there was this bizarre phase in our school where kids were taking needles, attaching pieces of thread (like a tuft of thread) to the back of the needle with glue (so the needle would fly straight-ish) and loading them into empty Biro shells.  You load it up, blow through it, and the needle flies and whack someone gets darted. Kids would do this shit randomly. Thinking back on it, it certainly sounds worse than it was. But man, what a strange game.

So I got a dart in my neck and screamed, right about the time my brother showed up.

My brother, he was always big.  Like muscular.  Athletic.  Into football and chicks and lifting weights and beating people up.  He shows up, sees me yelp in pain and Jeff sort of laughing, sizes things up, and attacks Jeff.

Heh.  James Bond never had a brother, but if he did it would have to be a brutish knuckle-dragging plain talking mofo like my brother. A foil to the Judo and intellect and technology, the opposite of the suave effete karate nerd that James Bond could be.

Jeff never bothered me or Matt again after that.  In fact, he sort of pathologically avoided us.  It took the fun out of stalking him and spying on him.  Matt was annoyed that we'd ended it so...so...confrontationally.  He wanted a sort of cold-war, a spying game that wold go on for as long as possible.

I wonder where he ended up?  The worst things happened to everyone I knew in that neighborhood, it was sort of a nexus of Bad Things.  I certainly hope he didn't end up the sort of adult that his sort of adolescence creates.
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"You bring the weasel, I'll bring the whiskey." - kellnerin


"the world outside German" by Kellnerin (4.00 / 1) #2 Fri May 02, 2008 at 11:41:43 PM EST
Thank you for two great stories, which were a wonderful way to end a ridiculous week.

Here is something completely unrelated:

The other morning, on my way to work -- it was a rainy day, and I was noticing as I was waiting on the platform for the T all the people wearing assorted varieties of boots ... anyway the train came and I got on, and sat down, and just as we were pulling out of the station someone got on and sat across from me and, you see, every so often I'm sitting on the train, staring at the floor like a commuter, and I happen to notice some odd tableau in my field of vision, (this time, it was this person who got on the train after me who was wearing polka-dotted boots and had a collapsible folding umbrella, also polka-dotted -- but more dots, and smaller ones -- and she set the umbrella down between her feet, the polka-dotted flaps of the umbrella flapping over her polka-dot booted feet), and I think, as I often do when I see a scene like this, "I should take a picture of this" and so this time, as we emerged into the open air and crossed the Longfellow bridge, that's what I did:


polka dots on the Red Line

I think I should stick to writing about riding the train.

--
"Late to the party" is the new "ahead of the curve" -- CRwM
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