Print Story 2008.01.14: "Two weeks ..."
Diary
By BlueOregon (Mon Jan 14, 2008 at 11:48:33 PM EST) (all tags)

Already?

I haven't yet made a "2007" mistake, perhaps because I haven't written any checks yet this month. For Nibelungen fans there is a new review of a new book, The Wagner Clan (book by Jonathan Carr, review by Laura Miller). Also: the Big Brain Theory ("Have Cosmologists Lost Theirs?"), Big Dinosaurs Had "Teen Sex", and Boll bombs ("[Boll] will return to low-budget filmmaking now that his latest and biggest production, the $70 million fantasy epic 'In the Name of the King: A Dungeon Siege Tale,' bombed at the North American box office.")

Inside: Reading, eating, watching, working ... this diary has more verbiage than the one before but less than than the one two before, and less content than either.



I

I might as well accept that Mondays are when $ÜBERBOSS decides to come to work and I should come in late(r), lest I have no desk at which to work. Today he left shortly after I arrived; the three of us ($ÜBERBOSS, $DEMIURGE, and I) will meet again on Wednesday for lunch and an application demonstration.

In a regard $DEMIURGE reminds me of my undergrad adviser, though this is merely superficial. They share a background at the 'Yard, but that's irrelevant. The fact that comes to mind is that they are generous and insist on treating people. It's through rationalization, and you can't win, though even wanting to win is rationalization on our part. My old adviser took me to lunch one day when I was a sophomore; two undergrads, for whom he was responsible, Sonia and Emily, accompanied; perhaps it's that he and I had a meeting but they had lunch, or he and I had lunch and they a meeting, but in any case the four of us ended up together in town, The Village, at this place far too pricey for the underemployed. The swordfish was great; I've not had it sense. Emily wanted wine, and if everyone just pretends you're twenty-one the waiter believes you and you get to sniff the cork. And when we tried to pay our share there were the rationales, ranging from "From each according to his means, to each according to his needs" (our means were limited) to "I have power, you have none, so I decide." This is just an aside; $ÜBERBOSS makes money, $DEMIURGE and I less, and that's just how it is.

But I hate being treated; I feel as if I'm taking advantage and am not worthy.

Once $ÜBERBOSS left I got my desk, and $DEMIURGE arrived so I could give her a preview of the Django crapplication I'd cobbled together last night after midnight. I felt guilty about the quality, or lack thereof. I'd gotten the model workable (based on memory of a schema I wrote in November) but had to fix a few "I wrote it for the development version but am using the released version" syntax glitches (max_length vs maxlength ... grr) and this morning putzed enough with the admin interface to make it nearly usable as a straight database front-end replacement.

The fact that the admin interface looks a lot like a database front-end convinces $DEMIURGE, I think, that this is nearly there, but I feel like a charlatan, and not just because I haven't written most of the views or done the templates (that last bit will be more or less trivial), but because once again I've presented something that somebody thinks is okay or good and I know is sh*t.

This happens from time to time with my writing (not things I post here, duh), and my adviser nearly had me convinced last summer when we met. I talked for hours, and I left with enthusiasm, and later I realized I was just a good swindler. I don't like the other option, either: people just have really low expectations for me. It's my fault, to an extent, for trying to cultivate somewhat lower expectations and a lower profile, something I was taught to do in elementary school, but let others set their expectations for/of you too low and suddenly any old turd is gold.

The only thing of consequence here is that I know it's sh*t and so can't stay that when for Wednesday, when $ÜBERBOSS gets a peek. I'll devote Tuesday to it; I can't be arsed tonight.

II

I read through the postscript to "The Man Who Mistook his Wife for a Hat" (pp. 7–21) and almost began "The Lost Mariner" on the bus ride to campus, but instead set the volume aside rather than consume a mere page or two before reaching my destination.

Those purple panties I mentioned a week or so ago? Still there. My estimation of the campus foot-traffic this last week, the fetishes of my fellow pedestrians, or of the campus grounds crew—one or more was clearly too high. Yesterday we got slushy snow; today we had ice. Then the fog rolled in shortly before I left for coffee later in the afternoon than I'd planned. The strolls up and down Bascom Hill are lonely this time of year, though not entirely alone, but fellow travelers are more likely to look away and blame it on the wind and ice and need for care traversing the slick walkways. I feel like counting cracks in the tiles or stones embedded in some slabs. I feel like stopping to ponder and draw the stark, bare trunks and branches that stand isolated along the walk, but there is no privileged vantage. It's a shame that art classes only send students to partake in landscape sketching when the leaves are in evidence.

More Sacks was internalized while I sipped coffee. At the end of the first chapter/text I found an extremely useful—for me—musing on judgment, and then in the second I was smitten by the Humean being turn of phrase. I'm easily amused in that way. An annoying effing bus driver driving the effing number 4 due to arrive circa 6:22 decided he was too effing important to stick to the effing schedule so arrived six effing minutes early.

Fucker.

So I missed my bus, packed up later than expected and after stewing, steaming, st-something-ing, and walked a few blocks to take the 3. It's chilly tonight but hardly cold. A young-ish man, short in that typical way (5'9"-ish?), a cap on his head like a trimmed condom tip, mixed sulking and pacing with bouts of bouncing on his toes as he waited for the bus.

This evening, once again during those commercial breaks between segments of the Terminatrix—which was, in my humble estimation a better written episode than the first—I flipped through the second "issue" of the 2nd LoEG volume and began the third. It's an exercise in style, but a glorious (to use last week's word) one.

III

I'm finally out of both backed beans and chili. The double-whammy, the CrockPot™ batches of each, kept me filled and fed most of this month. We're two weeks into the new year. I've eaten lots of beans and been to the movie theater twice. This is an aberration and as the year progressed I'll regress toward just being mean.

Days Without:

  • Alcochol: 14
  • Ice Cream: 14
  • Finishing a book: 2
  • Finishing a comic: 0 [today: Mighty Avengers #7]
  • ...?

An old review of He Was a Quiet Man by Stephen Holden (NY Times) was dismissive; the BBC review is bit more optimistic: "Combining the mordant observations of The Office with the twisted romance of Boxing Helena, this macabre farce is an acquired taste. With Sundance fast upon us the A.V. Club considers 10 Sundance sensations that changed filmmaking. There are still a couple on that list that I would like to watch.

Last week I checked out a few DVDs from Four Star but had little time over the weekend to view them; I was too stressed about the Django "work," but I'll get to them eventually. I always say that. One is/was F for Fake, which I'm looking forward to, whereas the others seem like things I picked out mixes of curiosity, availability and a need to have them in my repertoire; they aren't duties, and I will enjoy them, but I have little drive to view them, whereas Welles always just makes me go "... ooh!"

Michael Atkinson covered the DVD release—"All's Well That Ends Welles: Orson's Slippery Sleight of Hand"—in 2005 for the Village Voice. A side-menu ad/link took me to a gallery of Strange Sightings in Second Life (by Bonnie Ruberg). Instead of with that set of images, I instead leave you with some sappy cat blogging at the always entertaining Dr. Zeus's Forensic Files; I believe the Asian Fishing Cat has been seen here before.

< The diary below this diary has more content. | BBC White season: 'Rivers of Blood' >
2008.01.14: "Two weeks ..." | 8 comments (8 topical, 0 hidden) | Trackback
re: MA #7 by ammoniacal (2.00 / 0) #1 Tue Jan 15, 2008 at 02:34:49 AM EST
Is Cho gone yet?

This coomenat has be n soidnsord by hurricanbe ice malt liqur


Yep ... by BlueOregon (4.00 / 1) #2 Tue Jan 15, 2008 at 10:46:35 AM EST

... he was evidently a no-Cho for this issue.

The penciler this time is Mark Bagley; I haven't followed his other work, but there are a number of aspects of what he did here I like (and/or see as a change from Cho & Co.). Bagley's panels are often set up as if they're from a camera angle, and one that is often a bit skew, and when dealing with characters quite often close-up (but still at a bit of an angle, not head-on). His faces are less smooth, his figures less mannequin-ish, than those in previous issues, though aspects of smoothness, etc., are clearly also a matter of the inking team and colorist(s).

The script is a different matter. It's three parts avengers and one part setting up a plot that was actually 'introduced' at the end of New Avengers 34 and shown at the end of New Avengers 35 (which didn't actually *deal* with it either); said plot *is* resolved in New Avengers 36. Then again, Jessica Drew showing up in Tony Stark's apartment at the end of Mighty Avengers 6 is also months late in publication time. And as for the writing, I like the first part, to an extent, though it's drawn out. The second part is silly but almost credible for the characters and situation, but the third is just absurd (even if it's "in-character" for the Wasp), and it's got one joke that gets repeated over and over ("... but I like it ..." "... but I don't ...").

I only complain because the way MA and NA seem to go back and forth a bit, interlocking, makes it seem as if Marvel wants us to treat them as things to be read together or side-by-side, but that doesn't work if they're so out of sync.

In addition, it's as if Marvel has decided that Mighty Avengers is the Astonishing X-Men of the Avengers line ... but without the outstanding artwork or actually witty banter. It's the A-team, it's late, and it seems published purely for the trade paperback.

Ok, that's more than I needed to write.

_
"The german quoting guy is a little bit out there." (fleece)
[ Parent ]

Side-by-side makes sense... by ammoniacal (2.00 / 0) #4 Tue Jan 15, 2008 at 08:26:11 PM EST
if Marvel wants mo' money, which they do.

This coomenat has be n soidnsord by hurricanbe ice malt liqur
[ Parent ]

Mighty Avengers ... by BlueOregon (4.00 / 1) #5 Tue Jan 15, 2008 at 08:44:02 PM EST

... just often seems delayed to me, as if I had to wait an extra long time to read the next installment. They are companion books --- MA and NA -- with the former being the "registered" and the latter being the "renegade/outlaw" Avengers.

MA 7 is the March issue and feels 3 months late -- not only did NA avengers introduce the Skrull-imposters-invasion plot months ago and then show the symbiotes-take-over-NY fight, but the New Avengers: Illuminati limited series (issue 5 of 5, also dated for January, 2008) follows MA 7. You wonder what's going on, since Bendis is writing both -- you know they're meant to go together, so why can't the artists or somebody keep a schedule?

Perhaps that's why Cho is gone. I don't know, and haven't "researched" it. Can't be arsed.

_
"The german quoting guy is a little bit out there." (fleece)
[ Parent ]

Cho is gone because... by ammoniacal (4.00 / 1) #7 Tue Jan 15, 2008 at 09:01:10 PM EST
he is s l o w and he readily admits it. Can't keep to a schedule because he's often unhappy when he's rushed. A perfectionist, of sorts.

That's why he jumps from title to title.

This coomenat has be n soidnsord by hurricanbe ice malt liqur
[ Parent ]

ah, well ... by BlueOregon (4.00 / 1) #8 Tue Jan 15, 2008 at 09:38:00 PM EST

... that explains that!

I didn't have any huge complaints about his work, though it was basically Marvel preteen cheesecake. And he's not the slowest out there.

Then again, Cassaday might be 'slow,' but damn it's gorgeous stuff. The X-Axis has commented often that Chris Bachalo is an artist who benefits from being rushed -- the images aren't as perfect, tbe story-telling is improved. Hadn't paid attention to Cho.

_
"The german quoting guy is a little bit out there." (fleece)
[ Parent ]

Ah, le poulet triste de la deuxième vie. by Christopher Robin was Murdered (4.00 / 1) #3 Tue Jan 15, 2008 at 11:05:14 AM EST
I must admit, I'm kinda of in love with Second Life, but I know this is only because I've never tried to use it. At this point, no experience could actually add up the bizarre collection of random crap I've seen and read from people who have played it. Warren Ellis wrote some charming dispatches from the game. There's also a law suit in NYC over a crime - intellectual property violation - that occurred within the game. Oh, yes, and the Ponzi scheme bank scandal! Good times.



I've followed it only ... by BlueOregon (2.00 / 0) #6 Tue Jan 15, 2008 at 08:49:23 PM EST

... from a distance. Which is to say, I've lost it on the horizon and only occasionally capture its silhouette as the sun sets. Pretty colors and shapes, that way.

I'd heard of WE's dispatches but haven't followed them at all. SL always seems like something remote to me, whereas I know people who play WoW and such.

_
"The german quoting guy is a little bit out there." (fleece)
[ Parent ]

2008.01.14: "Two weeks ..." | 8 comments (8 topical, 0 hidden) | Trackback